S. H. Raza

Raza experimented with a variety of Modernist styles through landscape painting—first inspired by Expressionism, and later by geometric abstraction. In 1970, Raza began to paint purely geometric forms, particularly the circle and the dot, which he likened to the idea of the bindu.

His style changed drastically over the course of his career, however Raza’s works were all united in their emphasis on color, and their references to memory and mood.